Female-centric Action, ‘Gunpowder Milkshake’ on 123Movies
They say copying is the highest form of flattery, and the mythical “they” aren’t far off the mark here on 123Movies streaming site provider. It’s clear that Netflix’s neon-coated murder spree, Gunpowder Milkshake, pays a considerable tribute to several cinematic worlds that came before it, most notably the John Wick movie, Atomic Blonde, and the Kingsman movie.
Gunpowder Milkshake is a female-centric take upon that assassin genre that encourages its starring females to luxuriate in the violence they dish out, allowing them to be just as sharp, cruel, and downright lethal as any of their male counterparts in the movie. And the movie’s A-list ensemble, which includes Angela Bassett and Lena Headey, is definitely having a good time shooting dudes in the face. (Or whacking them with axes.) Whatever.)
If you’re watching Gunpowder Milkshake for the plot complexities, you’re doing it wrong, much like John Wick before it. Yes, the plot is shallow at times, and it frequently appears to consist of little more than someone deciding “Wouldn’t now be a fantastic time to watch Michelle Yeoh hang a guy with a chain?” seemingly at random.
Even when the occasional moments when you realize you’re just watching someone’s female-focused Continental fiction come to life, the film’s explosive energy and fantastic starring women make it difficult to turn away from.
‘Gunpowder Milkshake’ is a Vibrant, Violently Entertaining Film
Samantha (Karen Gillan) is a ruthless assassin who works for The Firm, a secret but definitely nefarious organization, just as her estranged mom Scarlet (Headey) did before her. Whether it’s mowing down a squad of unidentifiable men or stitching up her own body while watching late-night TV, she’s usually unconcerned by much of what her profession needs of her.
Despite her life of murder, Sam has a code – as all good assassins do, as the movies above have shown us – and when the eight-year-old girl daughter of a man she mistakenly kills is in jeopardy, she stands up to save her life. Sam will have to confront several aspects of her history in order to do so, including her hitherto absentee mother’s sudden reappearance and the squadron of butt-kicking older ladies who used to be a large part of her life.
In this new film that you can watch online at 123Movies, ensemble of actresses then engage in a series of highly stylized and immensely amusing fight sequences in which they can shoot, stab, and uppercut punch their enemies with abandon throughout a range of fantastic locales. The universe of this film is rich and exciting, with everything from a café where customers are compelled to leave their guns at the door to a magnificent library where the cataloging system is based mostly on the weapons discovered in each department. (I’m suggesting that every female needs a Jane Austen.)
Despite its occasionally off-kilter vibes, Gunpowder Milkshake is a film that isn’t hesitant to poke fun at itself and the genre it belongs to. There’s plenty of action to be had here, from an extended fight sequence that’s essentially a slapstick performance thanks to Sam being unusually dosed with a tranquilizer to a getaway sequence in which Emily, the above said eight-year-old girl, is the primary driver, alongside the very artistic shots of people’s brains being literally blown out.
Carla Guigno, Angela Bassett, and Michelle Yeoh are clearly having a blast as the three executioner librarians, but Gunpowder Milkshake is Karen Gillan’s film from beginning to end, and for those of us who first saw her on Doctor Who all those years ago, her transformation into a full-fledged action star has been a joy to watch. She ably carries the picture on her back and delivers a number of very spectacular moments, the most memorable of which has Sam fighting a bunch of unnamed thugs with nothing more than a bowling ball and a children’s panda-shaped bag.
If you perceive this film to be feminist rather than simply a film streaming 123Movies with numerous female characters at its heart, your mileage may vary. But, given how few of the latter we get in the first place, it’s hard not to be overjoyed that this film exists at all, in all its flawed, neon, butt-kicking beauty. I’m sure I’m not the only one who wants to see more of Sam and her new family’s experiences.